Christine Davidson
       
      Christine is a freelance journalist.  Here are some of stories.  
         
 
George ‘Shotgun’ Shuba
  George ‘Shotgun’ Shuba of Austintown sits at his Royal manual typewriter, watches the chickadees that alight on feeders outside the glass doors to the family room and reflects on his life. Just above and to the right of where he sits hangs an enlarged photograph of a moment in his life that forever changed the game of baseball and life in the United States.

The black and white photo captures a 21-year-old Shuba extending his hand to the hand of 27-year-old Jackie Robinson just as he’s crossing home plate. Robinson, grinning broadly, appears to be floating on air as a smiling Shuba congratulates him. The New York Times called the greeting, “a silent, seminal moment in baseball history.” The Taipei Times labeled it “the first black-white home run handshake”; the Beacon Journal described it as “a simple gesture that bridged baseball’s racial barrier.”

It was April 18, 1946 as the Montreal Royals of the International League took on the Jersey City Giants. In his second at bat of his minor league debut, the Royals’ Robinson smacked a 335-foot home run over the left field fence of Roosevelt Stadium. Shuba, hitting third and waiting in the on-deck circle says his reaction to Robinson’s homer had nothing to do with race; he recalls the exact moment, “It didn’t matter that Jackie was black, he was the best guy on the team, and he was my teammate. He could have been Technicolor, it didn’t matter to me.” But it did matter to sportswriters and the American public. Wikpedia reports Shuba is most often remembered for ‘his role in breaking down major league baseball’s tenacious color barrier.’ Shuba stepped into history as America’s conscience before a New Jersey sell-out crowd of 25-thousand and a gaggle of sports reporters and photographers 61 years ago this month.

Robinson went on to his spectacular career as the Brooklyn Dodgers first and second baseman, winning the National League’s Rookie of the Year award in 1948 and the N.L.’s MVP in 1949.

Shuba joined Robinson at the Dodgers in ’48 and by that time had earned the nickname ‘Shotgun’ because according to sportswriter, Bill Bingham, ‘He sprayed line drives as if they were buck shot.’ His nickname is rated as one of the all time favorites by baseball fans. Over his career, Shuba batted .259 with 24 homers and 125 RBIs. Shuba was the first NL pinch hitter to pinch hit a home run in World Series history. He helped the Dodgers win pennants in ’52,’53 and the World Series in 1955. A chapter of Roger Kahn’s novel, “The Boys of Summer” about the Brooklyn Dodgers is devoted to Shotgun.

Shuba’s favorite baseball movie is 1949’s “It Happens Every Spring”. It’s one of those wacky sports comedies released by 20th Century Fox. Welsh Actor Ray Milland plays a chemistry professor who accidentally develops a concoction that repels wood. Shuba slaps his knee and laughs as he further explains the plot, “So of course, he breaks into the majors because nobody can hit his pitches.” It was anything but an accident that Shuba landed in the majors. A passage in Adam Kahn’s Self Help Book, “Stuff That Works” details a ritual Shuba began as a youngster and continued through his playing career and it’s one of the reasons Shuba was a success: “George 'Shotgun' Shuba tied a rope to the ceiling, and made knots in the rope where the strike zone was, and every day he swung a bat at the rope 600 times. He swung that bat 600 times a day until he was in the major leagues. That's how he got his great 'natural' swing."

The youngest of ten children born to Slovak immigrants, George grew up on Youngstown’s West Side. Here are a few excerpts from Shuba’s forthcoming book, as yet untitled and as told to his longtime friend and Youngstown author, Greg Gulas:

“I grew up at 55 Fernwood Avenue…It was a street that was approximately two football fields in length yet the kids that occupied the houses on that stretch of land were as competitive as ever. It really didn’t take much to entertain ourselves in those days. There was always a baseball game going on in the summer and with the famous city landmark, Borts Field just a stone’s throw away, our parents knew exactly where we were if we weren’t in proximity to the house. “

“Being of Slovak extraction, I came to appreciate at an early age the traditions and rites of my ethnicity. Growing up in a mixed neighborhood where you could find a unique mixture of Italians, Germans, Hungarians, Irish, Croatians, Serbians and so on, my parents instilled in all of the Shuba children that you respected others, no matter what race, color or religious background they were.”

Shuba attended Holy Name School where an encounter with a nun affected his entire life. He tells the tale, “I was sitting in the last row and my buddy is sitting next to me and somebody misbehaved so the nun gave everybody homework for the weekend. So I said to my buddy, ‘Give me liberty or give me death.’ The nun said, ‘Who said that?’ nobody answered and I’m bluffing her. She says, ‘Well, I’m not going to let the class go home until that person raises his hand.’ So I raised my hand and I said, ‘Patrick Henry.’ She came down [the row] and hit me, really hit me. I went home but didn’t tell my mother how it happened and she put a hot water bag on my ear, but then I went to swim at Borts pool. I dove into the deep water and wow! It was like somebody put a nail in my ear. That kept me out of the army: that perforated ear drum. So it was a blessing in disguise. Otherwise I might still be in Germany.”

Shuba can only hear now with the assistance of hearing aids, and his son Mike says he and his dad are starting a foundation to help hard of hearing children, “To give students, underprivileged kids who don’t have the money, the opportunity for hearing aids to play sports and for their academics. We want to give hope to those with hearing loss.” He says his dad was lost in his own silent world until he obtained the hearing aids a few years ago.

Mike handles his dad’s schedule for speaking engagements, interviews and trips. In March, they spoke to 600 students at Canfield Schools and another group at Ohio Wesleyan in Delaware. Last year, the 60th anniversary of the historic handshake, he and his dad raised 78-hundred dollars for a charity event sponsored by the Ottawa Lynx minor league baseball club in Canada. The younger Shuba calls it a promotion for doing the right thing, “It’s a celebration of what George and Jackie stood for that day. They’ll have two young kids, one wearing dad’s uniform number and one wearing Jackie’s uniform number and they reenact the homer and the handshake.”

After a bout with Graves Disease, Shuba retired from baseball in ‘57 and returned to Youngstown. He’s been married to his wife Kathryn since 1958. Her maiden name, Ford, can be seen etched on a center stone of a brick building still standing in Brier Hill that her grandfather built decades ago.

He’s writing his memoirs with the help of newspaper clippings compiled by his sister Helen. She saved everything ever written about Shuba in nine big scrapbooks.

At 82, Shuba still exhibits the easy grace of an athlete and remains at his playing weight. His voice is strong and laced with the Eastern European flavor of Youngstown’s West Side. The website www.georgeshuba.com is still under construction but will be up and running in the next few weeks and his book should be available soon.

first printed in Metro Monthly, April 2007

 
         
 
Brotherless
 

When we were kids, we used two words to torture my oldest sister. We used them over and over again, whenever we wanted to embarrass her or whenever we were feeling mean or just to get a laugh. We’d, at times, whisper these two words to her or slowly and loudly repeat them. Her reaction was always the same. Her eyes rolled up, her head lolled back, her tongue would come out of her gaping mouth and she’d gag. And it wasn’t an ordinary gag, it was a deep guttural emission of sound that spawned spasms of chest and all over body movements. She was a multiple gagger. Once she started gagging, it was hard for her to stop. It was quite a sight, each time she began the gagging process, my middle sister, Collette and I would convulse with laughter. We’d laugh so hard and our stomachs would hurt so much, we’d fall on the floor yelling, “stop, stop” so we wouldn’t wet our pants. The two words we employed on a regular basis: “dog food.” To my sister, “dog food” meant Friskies-in-the-can. And Friskies-in-the-can smelled like all dog food in a can. The mere thought of that sickening odor of canned dog food was all it took to make Suzanne gag.

Suzanne was a good sport about it though, she knew she provided us with entertainment and accepted our behavior as her lot in life--the oldest sister. We teased her unmercifully when she started to develop. It caught us unawares and one day when she was exiting the shower, it was plain to see. Little buds of boobs and the telltale pubic hair. We screamed and hooted, chased her around the upstairs as she tried to cover herself with a towel. We pulled off the towel and pointed and stared and generally behaved like the jealous and curious idiots we were. And those little buds turned into double D’s it seemed in a matter of months. Suzanne inherited my grandmother’s boobs and the Davidson butt, which meant no butt at all (alas, Collette and I inherited, let’s say, our more generous hips, from the other side of the family). By her teens, Suzanne had grown into the kind of girl that makes men drool and boys goofy; a big-boobed, slim-hipped blond.

When she was 16 and learning to drive I went along for a trip. My dad was riding shot gun so he could instruct, and I sat directly behind her. As the gas gauge read nearly empty, my dad told her to pull into the neighborhood station. The attendant was a goner from the time Suzanne rolled down her window and asked to fill‘er up. His brain disengaged as he looked at her. Blood rushed to his face and probably elsewhere. He couldn’t talk, he stammered, he stared, he was immobile. My dad leaned in front of Suzanne, looked up at the attendant and repeated, “You can fill up the tank.” The teenager did as my dad asked and when Suzanne gave him a ten expecting change, an entire wad of bills shot out of his hand and wafted into the car and around it. She counted out what was due her and handed him the extra bills. Flustered, he didn’t know what to do or say, he just stared at Suzanne with this silly grin. When we got home we realized the little door over the gas tank had been left open and the gas cap was missing. My dad, without Suzanne, returned to the gas station to retrieve it.

It wasn’t just that Suzanne had boobs out to here and legs up to there, she had green eyes and long, blond, straight hair. (Collette and I, of course, were both born with curly hair, so in order to emulate our older sister and follow the fashion of the late 60’s, we’d sleep on gigantic rollers or orange juice cans to try to straighten our unruly locks. I eventually discovered if you line up the rollers just so, and clip them together, you can rest the back of your head on a pillow to fall asleep. But if your head moves a smidgen, you crankily wake up with a neck ache and have to rearrange them. I also discovered ironing wasn’t all that good for hair.) Suzanne modeled some locally, but never pursued it.

Suzanne was the first person to ever tell me about sex. I was in 5th grade, she was in 8th. We were talking upstairs, out of hearing range of my parents. When she explained how the deed was done I responded, “The boy sticks what, where? You’re lying. That’s gross. Who would want to do that?” For the where, she pointed. The word she used for the what: wiener. When you grow up in a house full of girls, a penis is not something you’re familiar with and you have a hard time visualizing. National Geographic showed naked breasts, but I don’t remember any naked penis pictures. I mean, of course the three of us had seen a neighbor’s penis when he was about four years old. He pulled down his pants at our and several other girls’ request. But I couldn’t quite put together the image of Bobby Johnston’s four year old penis being stuck anywhere.

But as with most things, Suzanne was right.

In high school and college she went by the name of Suzi and instead of a dot over the i, she placed a little flower there. A flower-child at heart, Suzi protested the Vietnam War and other worldly injustices while at Mount Union. She and all her girlfriends joined in the battles of the day by shouting, “Chicks Up Front” thinking (incorrectly as it turns out) that cops dispatched to break up demonstrations would be less likely to rough up girls.

In the true social worker fashion that was to become her career, she also happened to arrange my first French kiss. Well, she arranged for the blind date where I received my first French kiss. She had set me up with a friend of a friend of a friend to take me to see the ‘Lettermen’ on the Mount Union campus. I can remember running back to her dorm room and explaining to her and her friends how this bozo of a boy, a few years older than my 15, stuck his tongue in my mouth, I was aghast. They all responded with smiling, knowing looks but didn’t quite laugh out loud at me. Her second semester of her sophomore year, she attended Chapman College Afloat. This was a very cool thing for an older sister to do. For six months, she traveled around the world on a floating college campus, attending shipboard classes and visiting exotic and strange locales. She dutifully sent back postcards and we tracked her journey port-by-port on a map tacked up on the kitchen wall. Along with wonderful stories, she brought back incredible stuff; hand-carved masks from Africa, a silk sari from India where she had lunched with Indira Gandhi, a perfect little replica of a Japanese junk, trinkets from everywhere. She also brought back Malaria. One of those bad mosquitoes got her while she was on safari in Kenya. So now, I not only had a cool, older, globe-trotting sister who had lunch with Indira Gandhi but one who had contracted an exotic disease while overseas.

Suzanne had transferred to Ohio State by the time I got there. She happened to be a resident adviser in Canfield Hall, I was living in Bradley. Our rooms overlooked the same courtyard and we could wave to each other from our windows. We’d meet Collette (who was living off campus) for brunch many Sundays at Dirty Charberts. The ‘Dirty’--I think that’s just what my sisters called it--signified that it was different not necessarily dirtier than the other Charberts which was located a few blocks up High Street. But you never know. Both sisters helped me to adjust to living away from home. Telling me what to wear, where to go, what to drink. The usual stuff.

In late Winter-early Spring, I was suffering. Allergic and not yet aware of it, to a woolen hat that resembled Ali MacGraw’s in Love Story, I was sick as a dog. Swollen glands, red, swollen eyes—the whole deal. I get this call from one of Suzanne’s friends, Liz Ohle. It’s ten after twelve and I’ve been asleep for more than two hours. I climb down from the top bunk. Liz sounds very serious and says she’s got some bad news for me:

“What is it?”

“It’s about your sister.”

“What about her, is she okay?”

“Well, it’s really bad news.”

“What do you mean?”

“I don’t know really how to tell you this, but if you look out your window, you can see her. Suzanne hung herself tonight.”

I start to shake but open the curtains above my roommate’s bed. I look across the courtyard and there she is. Her body appears to be hanging directly in front of her window. Her head’s askew and she’s dressed in a long pink robe. Her hands hang limp at her side. I can’t see her feet but I imagine them dangling.

Unable to breathe, I collapse on my roommate’s bed as the tears begin and then it hits me. For ten minutes now, it’s been April First. When I regain my voice, I scream into the phone, “April Fools and this isn’t funny.” I slam down the phone. A second later, the phone rings. I pick it up and hear my sister’s riotous laughter, “April Fool’s” she snorts. I scream at her, “I never want to talk to you again,” and slam down the phone again. A few minutes later, I called her then boyfriend (now husband) relate the story and tell him I never want to see or talk to her ever again. I call Collette and my parents the next day and with righteous indignation retell the story.

The whole incident was so out of character for her, so out of the realm of what I thought I knew about her, it shocked me. Collette and I could have done something like that and it wouldn’t have been thought of as vile, but my older, capable, sweet, considerate, non-temperamental, role-model sister had never revealed that side of her personality before. But I should’ve had an inkling.

A particular blanket we used now and again always bothered me, I never wanted it near me. For some reason that green and pink flowered blanket made me think of worms. I could never quite figure out why until some time in our teen years when Suzanne said, “I wonder if that’s the blanket from the worm incident.” “What worm incident?” I ask. She said, “You know, the one when you were little.” It was there, just on the periphery of my memory, “I was about two, still in the crib, I remember nightmares about worms.” Suzanne laughing, “Well, they weren’t really nightmares.” As the story goes, one night after my mom had tucked me in (with that exact blanket) Suzanne, under the guise of saying good night, came cribside and dropped bobby pins down my sleeper pajamas telling me they were worms. She went to school the next day all smug and satisfied, complaining to her kindergarten chums that she couldn’t get any sleep, “because my baby sister cried all night.”

That’s Suzanne, my oldest sister.

 
       
 
Miss Network Difficulty
  Back when Susie Sidesaddle captivated kiddies and Marge Mariner (the Valley’s Martha Stewart) tantalized Youngstowner’s taste buds, an unlikely 19 year old reigned over the Youngstown Airwaves for one year. Doris Mraovich won the title of ‘Miss Network Difficulty’ in May of 1955 and started a career that spanned more than four decades.

She appeared on Dave Garroway’s Today show. Her picture blazed across the front page (above the fold) of the Youngstown Vindicator and there she was dead center in the September ‘55 issue of Pageant Magazine admonishing readers, “Wait! Don’t Turn that Dial.”

As her title implies, a picture of Doris Mraovich would pop up on WFMJ whenever storms, power outages or other troubles interrupted the signal from the NBC network to its affiliates. That happened a lot in the early days of television. And since disruptions frequently caused viewers to turn off the set rather than watch snow, the powers that be at WFMJ decided to give the viewers something to look at and that something was Doris Mraovich in Bermuda shorts, halter top, white high heel pumps and a scarf tied around her waist.

In poses reminiscent of the WWII pin up girls, Doris held props for the various genres that may be disrupted; a smoking gun for a mystery, a cookbook for a cooking show, a holstered gun and cowboy hat for a western. Each of the pictures had an appropriate caption: Mystery; No mystery about this….the network’s shot. Cooking: Please don’t get burned up…we’ll be cooking again in a moment. Western: Don’t move pardner…we’ll be back on the trail in a moment.

Seven of Doris’ pictures ran in Pageant Magazine and this is the accompanying copy: “No more jumpy lines and fog for viewers around Youngstown, Ohio. Station WFMJ there picked a Miss Network Difficulty from 500 pretty girls, posed her to match the mood of interrupted programs. Now when technical trouble hinders a telecast they quickly flash on Miss N.D. Result: nobody wants the show back.”

The legendary Hank Perkins who worked at the Vindicator and WFMJ photographed the young beauty one night with the help of the program director, Warren Park and his wife. Doris laughs as she recalls the evening, “You can see what a dinky outfit that was and I was real flat-chested and she said come here and she took me into the ladies room and she stuffed my bra with toilet paper and you can tell it in the pictures at least if you know there’s toilet paper in there. And then I had these dumb shoes and she said, ‘put mine on.’ “Well I’m a size nine shoe and she’s a size 7 so I was in pain and agony, you can see how small they look on me…they were tiny…white high heels. Then when I came out Hank said, that’s good…that’s real good.”

It all started when Doris’ mom submitted her daughter’s graduation picture for the WFMJ promotion. The competition garnered coverage in the New Yorker magazine’s Talk of the Town section in May 1955. “….The contest is being conducted not too far from the nation’s breadbasket in an around Youngstown, Ohio. Once Miss Network Difficulty is elected, she will be shown photographed in a variety of poses, to the television audience in that area by station WFMJ-TV during those ugly gaps that heretofore have been baldly stuffed by an admission of temporary defeat and an imploring whine—‘We have lost the network picture, please stand by.’ The formless vision misplaced in the heavenly waves over Youngstown, the curves of beauty discovered in the race for earthly fame. From every angle, whoever you turn out to be, we’ll love you all through the summertime and even after the leaves have fallen, dear Miss Network Difficulty.” According to the June 5th 1955 Vindicator, more than 20,000 Channel 21 viewers cast ballots for Doris to win the title.

Dave Garroway interviewed her for his Today show, “Here I was Little Miss Nobody and here’s this Big Guy, THE Guy, being so nice to me trying to calm me down.” In those pre-video tape days the Today show reinterviewed guests for different time zones. Doris says she was so nervous for the third and final interview, Garroway had to coax her out of the green room. Garroway’s charm and charisma had a profound effect on the young Doris. “I decided right then, I wanted to be in television, live TV, not on the air (her lip twitches when she’s in the spotlight) but behind the scenes.” She did just that, after her year as Miss Network Difficulty, Doris continued behind the scenes first at WFMJ and later at WKBN. She retired from WKBN in 1999 after 45 years.

As it turns out Doris was the one and only Miss Network Difficulty. She’s proud of that, “Miss Network Difficulty was one year, I only reigned one year. And then I was glad they never did anybody else because that was my one and only shot and everybody will remember there was only one, so I was glad when they decided not to do it.”

A few days ago, an old black and white movie played on TCM. The movie suddenly halted, instead of a picture of Doris, the words, “Unstable Signal” crawled across the blue screen. Sometimes progress is not progress at all.

first printed in Metro Monthly, June 2006

 
         
 
Autumnal Equilibrium
 

I prepare for an annual autumnal task, cleaning up crab apples from a neighbor’s tree that only seem to fall on our lawn. As a kid, I always underestimated the amount of time and effort it took to clean up the apples. As an adult, I do the same thing.

I start with one “Ironman” tall size, white kitchen plastic bag and then have to return to the house for more. Usually three trips and an hour or so later I think I’m done, only to find more apples underfoot or hiding in the lawn edge and flower bed. They don’t really rake up all that well unless you get one of those heavy duty garden rakes that your great grandfather used and even then you miss some, so you usually end up on hands and knees picking them up by the handfuls and throwing them in the bag that tips over when you put too much effort into it or it becomes lopsided and spills in the exact area that you just finished.

And when you actually are through, the bag is so heavy you can’t carry it to the curb until you divide it into more bags and so you go inside and get extra bags and then you forget the little twisties that go around the stupid bags so you go inside for the twisties and then you hurt your back carrying the damn apples to the curb and then one of the bags breaks and about a million little green apples cascade down the driveway into the street and a car comes by and squishes them on the pavement.

(At this point you become crabbier than Crabby Appleton ever thought of being and you want to shoot not only the singer but the lyricist who penned that insidious, relentless song that’s been going through your head all afternoon “Little Green Apples” and you vow never ever to spend any part of any season in Indianapolis. And don’t even talk to me about “Autumn Leaves”.)

First Published in Get A Life!, November 2004

 
         
 

 
© 2006 Christine Davidson

 


Home / Site Map / Contact Christine